After taking account everyone’s list of interests, I have distributed positions for a tentative crewing list for the two productions. See the linked document here. If you do not like your position assignment, please let me know. It may be helpful to find someone to trade with you, if you really do not want to do something. Everyone should attempt to take some responsibility in the production structure. Apart from these positions, everyone will be “chipping-in” in less formal ways along the way to production completion, and everyone will have shots on both productions to animate. There is also a list of suggested stories and position descriptions in the linked document. I’d like for the Director, Producer, Story Supervisor, and Art Director to meet to decide what story each unit will produce by Thursday of this week. (If you have strong feelings, make sure to communicate them in a nonviolent manner, to the four people making the final call). If there is an impasse, come to me, and we’ll figure-out what to do. After that, we’ll plan for other production meetings of various departments to plan for the production.